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VisualAnalysis

The artist uses both textual and pictorial presentations to constructan informative image. Consequently, the visual object is a product ofcreativity and improvization. An analysis of the image shows theartist’s intention to warn drivers about the dangers of using theirphones while driving.

The image depicts a man grimacing from the impact of a fist to thechin. Two vehicles are drawn on the hand and on the person`s cheek.In particular, a truck is depicted on the man while a saloon car isdrawn on the arm. Notably, the two vehicles are portrayed as if on acollision course. The expression on the man’s face reveals theextent of pain while the release of steamy saliva shows the impact ofthe blow. The image also contains the words “STOP THE VIOLENCEDON’T TEXT AND DRIVE.” The pointed words reveal the artist’sintention to warn drivers against using their phones while driving.

The artist constructed the image to communicate to drivers. Many roadaccidents are caused by the careless use of mobile phones whiledriving. In this regard, people pay less attention to oncomingtraffic and other road signs. Collisions result in body injuries andfatalities, in extreme cases. Straying off the road could also leadto devastating consequences. Therefore, the artist uses the image toshow the terrible effects of texting while driving.

Furthermore, the artist assumes that the viewer has the ability anddesire to control his behavior. Granted, some road accidents occurdue to unforeseeable circumstances. Such conditions are precipitatedby intoxication, mechanical problems, and inclement weather. However,all drivers have the power to regulate their use of cell phones.Notably, some urgent communication could require an immediateresponse. In such instances, drivers may decide to pull over to theroadside before reading and replying to the message. The use of theword “stop” shows the artist’s faith in the ability of viewersto avoid texting while driving.

The image uses symbolism to highlight the dangers of using cellphones while driving. The fist connects with the man’s chin at thepoint where the car makes contact with the truck. In this respect,the artist compares violence to texting while driving. Using commonoccurrences as symbols helps viewers to reason. Hence, the audiencecan make a quick connection between the debilitating effects ofviolence and the undesirable consequences of texting while driving.Notably, collisions between two vehicles almost always lead tocasualties. Consequently, the artist uses symbolism to show theadverse effects of using cell phones while driving.

Besides, an analysis of the image reveals that the artist appeals tothe logic and emotion of drivers. For example, the depiction of thetwo vehicles shows the high potential for collisions whenever peoplewander into opposite lanes. The use of a truck and a small carincites the emotions of the audience. In this regard, viewers arehelped to imagine the consequences of such high-speed collisions. Inmany cases, the deafening impact leads to certain death. Therefore,the artist appeals to the logic and emotions of the audience toemphasize the effects of using cell phones while driving.

Indeed, the image warns drivers about the terrible consequences oftexting while driving. The artist compares the impact of a punch tothe face to a collision between two vehicles. The words used are alsoeffective in capturing the viewer’s attention. In addition, theartist uses symbolism in a manner that appeals to the logic andemotions of the audience. Consequently, all drivers would do theirutmost to avoid texting while driving.

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VisualAnalysis

The image was constructed by combining an actual photo with otherdrawings. Notably, the artist used bold letters to show the meaningof the masterpiece. The visual object testifies to the creator’sdetermination and imagination. A consideration of various factorsreveals the artist’s intention to caution drivers against the risksassociated with texting while driving.

The contents of the image reinforce the creator’s message. In thisregard, the artist featured a man reacting to a fist on his chin. Theman’s facial expression reveals the pain emanating from the blow.Some foam is released from the person’s mouth to show the intensityof the strike. A large truck is drawn on the man’s face while arelatively smaller car is depicted on the hand. The two illustrationsare placed in direct conflict to show the impact of vehiclecollisions. Some capitalized words are also used to admonish driversto stop violence and avoid texting while driving. Therefore, thecontents of the image combine to show the artist’s intention.

Furthermore, the image was constructed for the sake of drivers. Thisfact is deduced from both the drawings and the words. Notably, theartist draws attention to the road carnage that occurs due to textingwhile driving. In fact, many vehicles collide when people veer intoopposing lanes. Although road accidents occur due to several reasons,the artist focuses his attention on the impact of texting whiledriving. Many people suffer debilitating injuries that may lead todeath. Additionally, vehicles are irreversibly damaged fromcollisions. Consequently, the artist addresses his message to driversto warn them of the dangers of texting while driving.

Besides, the image assumes that the viewer can see the connectionbetween violence and using cell phones while driving. The artistdepicts a man reacting to the impact of a fist to his chin. However,the creator does not intend to focus on the effects of violentconduct. Instead, the artist expects the viewer to make theconnection to texting while driving. In this respect, the imageincorporates illustrations of two cars on an apparent collisioncourse. Furthermore, the capitalized words refer to using cell phoneswhile driving. Therefore, the artist assumes that the viewer wouldunderstand the subtle link to violence.

The artist succeeds in his project since he appeals to logic. Infact, the image helps the audience to visualize the impact of textingwhile driving. The man’s facial expression manifests the feeling ofpain after experiencing the punch. The artist also draws the vehiclesas they travel in opposite directions. Hence, the audience canimagine the impact that occurs when a large truck collides with asmaller car. Moreover, the viewers can relate to the senselessness ofviolent conduct. Consequently, the artist manages to convince theaudience of the dangers of texting while driving by appealing tologic.

Indeed, various components of the image show the artist’s intentionto discourage the use of cell phones while driving. For example, somepointed words are highlighted to draw attention to the overallmessage. Notably, the text is capitalized to create a maximum impacton the viewer. The man’s facial reaction is also used to show theeffects of collisions between vehicles. Additionally, thesenselessness of violence is compared to the act of texting whiledriving. However, the image assumes that the viewer would make thelatter connection. Furthermore, the artist appeals to logic byallowing the audience to reason on the adverse implications oftexting while driving.

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Repetitionand Rhyme Comparisons between Two Poems

Fast Car by Tracy Chapman was produced in 1988 while ThunderRoad by Bruce Springsteen was released in 1975. Notably, bothsongs garnered international acclaim and enhanced the artists`profile. An analysis of the two lyrics shows distinct similaritiesand differences with regards to the use of repetition and rhyme aspoetic techniques.

Chapman’s song manifests distinct occurrences of rhyme within thelyrics. For example, the opening stanza contains the two end words as‘anywhere’ and ‘somewhere’ in an abcb pattern. Rhyme alsooccurs in the use of the words ‘is’ and ‘his.’ Furthermore,the chorus contains the words ‘away’ and ‘way.’ Otherinstances of rhyme occur in the combination of ‘better’ and‘shelter.’ Additionally, ‘car’ and ‘bar’ are used in thetenth stanza. Fast Car also displays repetition of variousphrases. For instance, the lyrics frequently refer to the word‘maybe` to show the uncertainty of achieving the desired action.However, the word also reveals the persona`s bright hope towards thefulfillment of a particular action. The phrase ‘you got a fast car`is also frequently cited to show the intended target’s capacity forchange. Furthermore, the chorus is repeated to emphasize thepersona’s message. The lyrics contain consecutive phrases that showhow the old man perceives ‘his body.’ Other instances ofrepetition include the use of the words ‘driving’ and ‘someone’(Chapman). In fact, the lyrics comprise a line that repeats thelatter word three times in quick succession. Such techniques are usedto create a rhythm within the song.

Thunder Road features several instances of rhyme andrepetition. The words ‘lonely’ and ‘only’ are used inconsecutive sentences. The first stanza also contains instances ofrhyme such as ‘for,’ ‘anymore,’ ‘night,’ and ‘right.’Besides, the words ‘lovers’ and covers’ are mentioned inproximity to ‘rain’ and ‘vain.’ Other examples of rhyme occurin the words ‘understood,’ ‘hood,’ ‘somehow,’ ‘now,’‘hand,` and ‘land,` ‘sun,’ ‘run,’ ‘hold,’ ‘road,’‘talk,’ ‘walk,’ ‘broken,’ ‘spoken,’ ‘street,’ and‘feet.’ Moreover, the lyrics contain repetition of the words ‘OhThunder Road’ to emphasize the persona’s message (Springsteen).The word ‘again’ is mentioned twice as a manifestation of thespeaker’s exasperation. The phrase ‘all right’ is repeated toshow the persona’s optimism in the future.

Fast Car and Thunder Road are quite different in theiruse of rhyme and repetition. In particular, Springsteen’s song hasmore instances of rhyme than Chapman’s track. Additionally, ThunderRoad mostly contains rhyme in consecutive lines while Fast Caruses alternating sentences. Besides, Chapman’s song includes moreinstances of repetition compared to Springsteen’s track.Notwithstanding, some striking similarities exist between the twolyrics. For example, both songs have a chorus that is repeated aftereach stanza. Also, both lyrics utilize such poetic techniques tocreate rhythm. The personas in both songs use repetition to enhancethematic purposes. Furthermore, both lyrics also have irregularrhyming patterns in several stanzas.

Indeed, an analysis of the two songs reveals distinct similaritiesand differences with regards to rhyme and repetition. Fast Carcontains some rhyming words in alternating sentences while ThunderRoad mostly uses consecutive lines. However, the former song hasfewer instances of rhyme compared to the latter`s lyrics. Chapman`ssong has many instances of repetition while Springsteen`s track hasmore infrequent occurrences. Therefore, Fast Car and Thunder Rod canbe used to show the similarities and differences between variouspoetic techniques.

WorksCited

Chapman, Tracy. “Fast Car.” Tracy Chapman. ElektraRecords, 1988. A-Z Lyrics.com. n.d. Web. 2 Nov. 2015. &lthttp://www.azlyrics.com/lyrics/tracychapman/fastcar.html&gt

Springsteen, Bruce. “Thunder Road.” Born to Run. Columbia,1975. Bruce Springsteen.com. n.d. Web. 2 Nov. 2015.&lthttp://brucespringsteen.net/songs/thunder-road&gt

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